In episode 329 UNP founder and curator Grant Scott is in his shed reflecting on the big and small things that impact on the everyday engagement we all have with photography.

Dr.Grant Scott
After fifteen years art directing photography books and magazines such as Elle and Tatler, Scott began to work as a photographer for a number of advertising and editorial clients in 2000. Alongside his photographic career Scott has art directed numerous advertising campaigns, worked as a creative director at Sotheby’s, art directed foto8magazine, founded his own photographic gallery, edited Professional Photographer magazine and launched his own title for photographers and filmmakers Hungry Eye. He founded the United Nations of Photography in 2012, and is now a Senior Lecturer and Subject Co-ordinator: Photography at Oxford Brookes University, Oxford, and a BBC Radio contributor. Scott is the author of Professional Photography: The New Global Landscape Explained (Routledge 2014), The Essential Student Guide to Professional Photography (Routledge 2015), New Ways of Seeing: The Democratic Language of Photography (Routledge 2019), and What Does Photography Mean To You? (Bluecoat Press 2020). His photography has been published in At Home With The Makers of Style (Thames & Hudson 2006) and Crash Happy: A Night at The Bangers (Cafe Royal Books 2012). His film Do Not Bend: The Photographic Life of Bill Jay was premiered in 2018.

Scott’s book Inside Vogue HouseOne building, seven magazines, sixty years of stories, Orphans Publishing, is now on sale.

© Grant Scott 2024

Image: Bruce Gilden USA. NYC. Coney Island. 1977. Crowds of people clustered together on the beach. ©Bruce Gilden | Magnum Photos


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One response to “PODCAST: A Photographic Life, Episode 329 ‘Bruce Gilden, Street Photography, Empathy and Getting Work’”

  1. Another great podcast Grant. I write as an architectural photographer (and designer) who’s learning the documentary photography ropes while working on a long term personal project. I have very mixed feelings about street photography and what it actually is. There are photographers who capture the spirit or essence of a place and its people beautifully and then there are those who IMHO ‘steal’ images of people, often capturing them in ungainly and unattractive ways in the name of art. To me, consent is all, and even if you don’t have actual permission, you have to consider if the subject might be unhappy with the way they’ve been portrayed. And what do these kinds of photo actually say about the person? For me, if I’m photographing someone, I want to have formed some form of connection with them – I usually spend longer talking to the subject than photographing them. But then I’m not a street photographer.

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