In episode 2 of this new podcast series Grant Scott continues his search for Bill Jay and hears from photographers Homer Sykes, and Martin Parr, as he tracks Jay’s career from school to magazines and the influence of David Hurn and Tony Ray Jones on Jay and his editorship of Creative Camera magazine.
William ‘Bill’ Jay (12 August 1940 – 10 May 2009) was a photographer, a writer on and advocate of photography, a curator, a magazine and picture editor, lecturer, public speaker and mentor. He was the first editor of Creative Camera Owner magazine, which became Creative Camera magazine (1967–1969) and founder and editor of Albummagazine (1970–1971).
He established the first gallery dedicated to photography in the UK with the Do Not Bend Gallery, London and the first Director of Photography at the Institute of Contemporary Arts (ICA) in London. Whilst there he founded and directed the first photo-study centre.
He studied at the University of New Mexico under Beaumont Newhall and Van Deren Coke and then founded the Photographic Studies programme at Arizona State University, where he taught photography history and criticism for 25 years.
He is the author of more than twenty books on the history and criticism of photography, four books of his own photography, and roughly 400 essays, lectures and articles. His regular column titled Endnotes was published within Lenswork magazine for a number of years.
His own photographs have been widely published, including a solo exhibition at the San Francisco Museum of Modern Art.
Thanks to Aaron Bommarito for archive recordings with Bill Jay. All other interviews were conducted by Grant Scott.
Dr. Grant Scott is the founder/curator of United Nations of Photography, a Senior Lecturer and Subject Co-ordinator: Photography at Oxford Brookes University, Oxford, a working photographer, documentary filmmaker, BBC Radio contributor and the author of Professional Photography: The New Global Landscape Explained (Routledge 2014), The Essential Student Guide to Professional Photography (Routledge 2015), New Ways of Seeing: The Democratic Language of Photography (Routledge 2019).
© Grant Scott 2022
Image: Copyright David Hurn/Magnum