Above: David Bailey and Cecil Beaton, 1971

FILM: David Bailey on Cecil Beaton, 1971

Photographer David Bailey was an early migrant from the still to moving image as this short film made for UK television in 1971 demonstrates. This film is not only a meeting of photographic generations it also acts as a time capsule of the London scene at the time featuring models Penelope Tree, Twiggy and Jean Shrimpton, artist David…

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ARCHIVE VIDEO: Edward Weston ‘The Photographer’ 1948

Edward Henry Weston has been called “one of the most innovative and influential American photographers…” and “one of the masters of 20th century photography.” Over the course of his 40 year career Weston photographed an increasingly expansive set of subjects, including landscapes, still lifes, nudes and portraits. It is said that he developed a “quintessentially American, and specially…

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FILM: William Klein ‘Broadway by Light’ 1958

William Klein’s first film is a study of a night in the life of New York’s iconic Broadway. It focuses on the interaction of lights and shadows, colours, shapes and forms as the camera jumps between the flashing bulbs and neon signs of Times Square’s iconic advertising and the silhouettes of men at work on theatre marquees, as they…

Image: Raymond Moore

ARCHIVE VIDEO: Photographer Raymond Moore ‘Every So Often’

Raymond Moore (1920 – 1987) was an important post-war English art photographer. Born in Wallasey, then part of Cheshire, he served in the RAF and then trained as a painter at the Royal College of Art. After graduating, he was asked to set up a photography department at Watford College. Moore became interested in photography at a time when photography was still viewed in Britain as…

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Les Rencontres d’Arles 2014: iPhone Visual Diary by Alicia Bruce

The Rencontres d’Arles (formerly known as the Rencontres Internationales de la Photographie d’Arles) is a summer photography festival founded in 1970 by Arles photographer Lucien Clergue, author Michel Tournier and historian Jean-Maurice Rouquette. The Rencontres d’Arles’ policy of programming almost exclusively new work has earned it a world-wide reputation. In 2013, there were 96000 visitors to…